NIOS Movie Funding Progress

7 years, 1 month ago by hps in Special Category B
Hare Krsna, Everyone, Ambika Devi Dasi,

Daily SB

7 years, 1 month ago by hps in Special Category B
Esteemed Ananta-rupa Das,Bali-mardana Das, ISKCON-Boise, Anjana Suta Academy Bhakta-vrnda,
All Glories to Srila Prabhupada.
Please Accept Our Humble Obeisances and Well Wishes.
Considering the Blog postings and personal e-mails, conversations with the administrative authorities in Temple, GBC, MOE, Ministry of Sankirtan et al we would like to make the following delightful suggestions.
1. We continue working on ISKCON Educational Development using ISKCON-Boise and its Center for Bhaktivedanta as a case study for developing the MED’s central theme of “Every Temple an Educational Center”.
2. Following Srila Prabhupada’s NOI we propose that Daily Srimad Bhagavatam reading is required for every ISKCON member and Temple and we have to get that going for the Temple Yatra.
3. Since 6.30AM Saturday, Boise time, is a practical hour for President and Members of our   yatra to meet physically in the Temple, we have a regular weekly review of the daily study of the first two cantos at that time. 6.30-7.30AM Pada-pada week review.
4. This can made available by telecommunication, at least by President or his Designee dialing 701 801-1220, entering the meeting number 992 055 489 and following it by the Host Code, then pushing *9 1 to record the class. We will send the Host Code privately. Then speaker can just talk into the telephone or get a headset or go to broadcasting using the internet from the startmeeting.com web site if they want to expand the technology.
.On-Line, Our-Yatra-Binds.
5. Daily Saturday morning SB class on the first two cantos is wonderful for all members of the community because for those who are still entrapped in sex indulgence, recital should not go  beyond the first and second canto (SB 2.2.12), while it also satisfies Srila Prabhupada’s rule that those who are studying for a Bhaktivedanta diploma study cantos 7-12 AND the previous material. If we know so much, share it.
6. Our Anjana Suta Academy (ASA) has introductory materials for the SB if you go to our webpage archives and look for “bhaktivedanta library” and “pdp cantos 1-2 and 12 canto summary, ppt “
7. We would suggest going back to these introductory materials later and just jumping into the matter where Ananta-rupa Das and daily attendees are now reading . . . SB 1.4. We think it is essential that we develop this as a spontaneous and systematic study in Boise that can then be generalized to all of ISKCON, regular Saturday morning Pada-pada, Canto One and Two recital.
To start with this can just be as simple as reading the translations together for the current chapter, but we also have pdp-csg, pada-padma-chapter study guides, at our Website.
“tato jayam udirayet”, this SB is our very means of conquest (1.2.4).
8. We should start this next Saturday, 2107 October 14, with our Temple President Ananta-rupa Das making a presentation of the week’s Temple study and the study assignment for the following week. Those who are Bh. Vaibhava or Bh. Vedanta students etc can make comments from their previous studies etc. The calendar can be reset each week.
The Temple should organize enough of a curriculum to offer a prototypical diploma for Pada-padma studies.
9. Contact us through our Blog or as you can for any help.
10. If we can’t get this going on our own steam then I suggest we get advice from the Ministry of Education with the help of our Regional Representative, Bali-mardana Das from ISV and ultimately from our GBC manager, His Holiness B. Narayana Swami. We can’t get involved in the administration much beyond our simple Sannyasa nature.

Art and the sacred (ambarisa das)

7 years, 1 month ago by Ambarisa Maharaja Das in Special Category B

Hare Krsna

 Agtsp

all glories to you  Guru dev

according to the film project the art and the sacred, with your permission may be in the boat.

we believe that it is good to have several narrative lines: the pilgrimage that you undertake, the interviews that take place, the artistic expressions and their artists ( for example dance and Manipuri art) and the event in Peru.

in a film are the instances of production, filming and post production.

now we are in a first stage of ideas before a pre production of how it is going to film.

a theme can be as life itself can have a sacred and artistic sense, live artistically realizing that the sacred is inherent in each person and how it is a tendency in art to become a esthetic without a sense that the esthetic in itself without awake, connect or stimulate the soul. and as the sacred can be alone a ritual without meaningless losing its essence without being a ritual to awaken the soul and becoming a media to connect our consciousness to love and the transcendent.

for the other stages of the project we also have some ideas

I hope I can be useful in your sankirtan

thank you very much for your efforts

yours Ambarisa das

Hare Krsna

TLGASP

todas las glorias a usted Guru dev

con respecto al proyecto de la película el arte y lo sagrado, con su permiso podemos estar en el bote.

creemos que es bueno tener varias líneas narrativas, sea el peregrinaje que usted emprenda, las entrevistas que se realicen, las expresiones artísticas ( por ejemplo danza y arte manipuri) y sus artistas y el evento en Perú.

en una película  están las instancias de pre producción, filmación y post producción.

ahora estamos en una primera etapa de ideas  antes de una pre producción de cómo es que se va a filmar.

un tema  puede ser como la vida misma puede tener un sentido sagrado y artisco, vivir artísticamente realizando que lo sagrado es inherente en cada persona y como  hay tendencia a que el arte se vuelva estética sin un sentido mas que lo estético en si sin despertar, conectar o estimular el alma. y como lo sagrado puede caer en ser solo ser un ritual sin sentido perdiendo su esencia sin ser un ritual para despertar el alma volviéndose un medio para conectar el amor o la conciencia a lo trascendente.

para las otras etapas del proyecto we also have some ideas.

espero poder ser útil en su sankirtan

muchas gracias por sus esfuerzos

suyo Ambarisa das

HpS - Hare Krsna. AGTSP. Paoho. Please forgive the delay in answering your great letter.

We are in Ujjain now and leave for Pune at 11AM. We did an interview of Dr. Kalyan. Now we will listen to it and suggest editing arrangements. Amibka DD sent our grant application letter to Meta-soft and they made several suggestions about how it can be improved.

We will work on that.

We expect to get a letter in the Blog today from Abhirama Dasa. Unless we can fix the venue for the Exhibition in Lima in the next few days we are going to have to make serious changes in plans.

Look deep in your heart for the plan Krsna has for your service!

Sastric Studies in ISKCON Today

7 years, 2 months ago by hps in Special Category B

Hare Krsna!

AGTSP! Paoho.

 

After a 45-minute conversation with Srivasa Pandita Das from ISKCON Silicon Valley educational projects, last evening, we want to share our current views on Sastri education in ISKCON.

Of course, these are our views as one of the several blind men trying to understand the elephant. Please contribute your understanding from your point of view.

A lot of the impetus of the conversation was the SB class that we had just finished with ISKCON Boise, Idaho yesterday moring. For us it was a colossal effort involving Temple President, Ananta-rupa Das, Radhika-raman Das and many others.

It was one of the nicest experiences in our life and confirmed our idea that ISKCON Temple means a community of devotees organized around daily, morning study of Srimad Bhagavatam.

 

Of course, this can mean members who can physically attend the programs in the Temple Building, but with Srivasa Ji we were very much discussing (some times with great zeal and alacrity) that this can also mean Grhasthas studying the texts in their own homes in the morning and then discussing together on a weekly basis what they have studied.

 

From our perspective, hearing opinions of many others also, Sastric studies in the Western hemisphere, is in a very dangerous, little reliability, situation. There can be local programs promoted by local gurus that are very nice, but we feel that without a global educational network coordinating these and offering these programs to others we will always be lacking in essential features to make a healthy ISKCON educational aspect.

We need local gurus and global integration.

 

Our first product aim in Anjana Suta Academy, Sastric studies, is learning how to associate with teachers, fellow students and our students. Then we are concerned with didactic methods, calendars, and finally learning facts.

We feel that we are lacking in the extreme with proper association between the ISKCON Administrators and Brahmans which are the two pillars of happiness for the community in general.

 

This is our view and of course 60% of the problem is our fault, 20% others faults and 20% God's arrangement.

 

So, we propose to go ahead trying to integrate Temple President's et al with ISKCON Ministry of Education. We will go ahead with niscayena and put our heart into it but we depend 60% on your mercy.

 

Of course, we are certainly continuing with our own responsibility of regular, daily, SB study and how that is developing systematically you can see at our web-site, www.Jayarama.US, through our News.

 

URGENT: 2nd report THE ART AND THE SACRED

7 years, 2 months ago by abhiramdas in Special Category B, Other
<pre> URGENT: 2nd report THE ART AND THE SACRED Hare Krishna Gurudeva, please accept our humble obeisances All glories to Srila Prabhupada!! All glories to Hanumatpresaka Swami!! </pre>

Since our last report we have sought to gain insights from our committee of distinguished members on what topics and questions to ask about ART AND THE SACRED for their interviews in India and Australia on their journey from September to November.

Looking for a conceptual consensus among our members (which is art and which is sacred are controversial issues) we can say briefly that Art is an activity entirely linked to the spirit, the emotions and the conscience and the Sacred is what brings us back to our original existence, which connects us with the transcendent, with the spiritual. On this basis these are the contributions:

HÉCTOR BÉJAR / THEME: THE IMPLICIT AND EXPLICIT IN ART AND THE SACRED
Questions: 1. In what way do you believe that works of art regardless of their EXPLICIT purpose can express a sacred message. 2. Who are the most representative authors for you who express EXPLICITLY a transcendent, artistic and sacred message in the plastic arts, literature, theater, cinema,  etc.

WALTER LEÓN / THEME: LINK AND EVOLUTION BETWEEN ART AND SACRED
Questions: 1.- What is the link between art and the sacred, 2.- How has the thinking of art and the sacred EVOLVED. 3. Art and the sacred is a response to the yearnings of being, or is a hope for a better world, or both.

WALTER OJEDA / THEME: INTEGRATION AND CONNECTION BETWEEN NEUROSCIENCES, ART AND SACRED
Questions: 1.- The  mandalas  can be a means of INTEGRATION between art and the sacred and 2.- What are the CONNECTIONS between neurosciences, art and the sacred. 3 .- on what basis is the artistic experience and the experience of the Sacred.

Abhiram Thakur  das / THEME: THE NATURE AND ESSENCE OF ART AND THE SACRED
Questions: 1.- It is the CREATION of the universe an artistic and sacred act. 2. Art and the sacred are ESSENTIALLY experiential experiences, what is the role of consciousness in this experience. 3. - What is the relationship between soul, art and sacred.

We also talked extensively with Ambarisa  prabhu from Argentina and agreed that this documentary has, mainly, three ingredients: 1.- your interviews with personalities from the academic and cultural community. 2. - The event to be held in Lima-Peru and 3.- THE PROGRESS OF A PEREGRINE, that is, the journey or the journey of his sankirtana loyal and determined to Srila Prabhupada, one of whose characteristics is to connect the intellectuals with the books of Srila Prabhupada.

For the following report we hope to have the contributions of Ramón Mujica, Miguel Polo and Gandharva, we also have an interview with the Director of the National Library,
to see the calendar and sponsorship.

That's all for now. Hare Krishna GURUDEVA, his useless servant, Abhiram Thakur das.

URGENTE: 2do informe EL ARTE Y LO SAGRADO

Hare Krishna Gurudeva, por favor acepte mis humildes reverencias

¡Todas las Glorias a Srila Prabhupada!!

¡Todas las Glorias a Hanumatpresaka Swami!!

Desde nuestro último informe hemos tratado de obtener las perspectivas de nuestro comité de miembros distinguidos acerca de que temas y que preguntas hacer sobre EL ARTE Y LO SAGRADO para sus entrevistas en la India y Australia, en su viaje de setiembre a noviembre.

Buscando un consenso conceptual entre nuestros miembros (que es arte y que es sagrado son temas controversiales) podemos decir brevemente que el Arte es una actividad enteramente ligada al espíritu, a las emociones y a la conciencia y lo Sagrado es aquello que nos lleva nuevamente a nuestra existencia original, lo que nos conecta con lo trascendente, con lo espiritual. Sobre esta base estos son los aportes:

HÉCTOR BÉJAR / TEMA: LO IMPLICITO Y LO EXPLICITO EN EL ARTE Y LO SAGRADO

Preguntas: 1.- De qué manera cree usted que las obras de arte independientemente de su propósito EXPLICITO pueden expresar un mensaje sagrado. 2.- Quienes son, para usted, los autores más representativos que expresan de manera EXPLÍCITA un mensaje trascendente, artístico y sagrado en las plásticas, la literatura, el teatro, el cine, etc.

WALTER LEÓN / TEMA: VINCULO Y EVOLUCIÓN ENTRE EL ARTE Y LO SAGRADO

Preguntas: 1.- Cual es el VÍNCULO entre el arte y lo sagrado, 2.- Cómo ha EVOLUCIONADO el pensamiento del arte y lo sagrado. 3.- El arte y lo sagrado es una respuesta a los anhelos del ser, o es una esperanza para lograr un mundo mejor, o ambas.

WALTER OJEDA / TEMA: INTEGRACIÓN Y CONEXIÓN ENTRE LAS NEUROCIENCIAS, EL ARTE Y LO SAGRADO

Preguntas: 1.- Pueden las mándalas ser un medio de INTEGRACIÓN entre el arte y lo sagrado y 2.- Cuales son las CONEXIONES entre las neurociencias, el arte y lo sagrado. 3.- sobre qué bases se da la experiencia artística y la experiencia de lo Sagrado.

Abhiram Thakur das / TEMA: LA NATURALEZA Y LA ESENCIA DEL ARTE Y LO SAGRADO

Preguntas: 1.- Es la CREACIÓN del universo un acto artístico y sagrado. 2.- El arte y lo sagrado son experiencias ESENCIALMENTE vivenciales, cual es el papel de la conciencia en esta experiencia. 3.- Cual es la relación que existe entre alma, arte y sagrado.

También dialogamos ampliamente con prabhu Ambarisa de Argentina y coincidíamos en que este documental tiene, principalmente, tres ingredientes: 1.- las entrevistas de usted con personalidades de la comunidad académica y cultural. 2.- El evento a realizarse en Lima-Perú y 3.- EL PROGRESO DE UN PEREGRINO, es decir, el viaje o el camino recorrido de su sankirtana leal y determinado a Srila Prabhupada, una de cuyas características es conectar a los intelectuales con los libros de Srila Prabhupada.

Para el siguiente informe esperamos tener los aportes de Ramón Mujica, Miguel Polo y Gandharva, también tenemos una entrevista con el Director de la Biblioteca Nacional para ver el calendario 2018 y su auspicio.

HpS - ASA --- Hare Krsna!   AGTSP.

1. Most of the translations are good. Some mistakes. Yours is not so good.

2. From these we would take:
   a) HISTORY: Has the relationship of art and the sacred improved, evolved, to the present time? How have the relationship between art and the sacred been at different times and in different cultrures. Can we see things that historically and culturally that make for a healthy relationship between Art and the Sacred.

   c) What is "Sacred".? What is "Art"?

   d) Is some art sacred in itself and other leading us to the sacred?

   e) Who are some of the artists whose work is most sacred for you?

   f) What is your relationship with Art and the Sacred?

Eso es todo por ahora, Hare Krishna GURUDEVA, su inútil sirviente, Abhiram Thakur das.