Letters to the editor

We have been working on an ASA-Encyclopedia. We will post it in the Archives. We just added the following article:

ISKCON

Improvements

(rev. 2017 Aug 10)

There is a collection of Śatakas (One hundred verses) by Prabodhananda Sarasvati, Uncle of Gopal Bhatta Goswami, wherein he describes the glories of Śrī Vṛṇdavana Dhama. It is Sri Vrndavana Dhama Mahimamrta. It is one of our most favorite books.

It is very curious to change each reference to Vrndavana in the song to ISKCON and then meditate on ISKCON. For example:

15 May the land of ISKCON where Subala and the other wonderful cowherd boys, who are all dear friends of Sri Krsna, play, where Lalita and the other splendidly beautiful young gopis, who are all filled with love for Srimati Radharani, enjoy transcendental bliss, and where Sri Sri Radha-Krsna thirst to enjoy wonderful transcendental amorous pastimes day and night, become manifest in my heart.

16 To drink: the freely flowing streams are filled with clear sweet water as nectar. To eat: the dried leaves from the trees are foods as palatable as one could desire. The warm breezes are just as one would have them. To reside: there are clean mountain caves and other suitable residences. Alas! Alas! How unfortunate I would be if I wished to leave ISKCON!

17 ISKCON is like the incomparable essence of the ocean of pure love of Krsna, or it is like the sweetest island-bracelet decorating that ocean of love. I pray this land of ISKCON, which the great sages experience sweet as nectar, give me shelter until the moment I leave this body.

18 I meditate on wonderful ISKCON, where there are millions of lakes, ponds, and wells, all filled with water as sweet as transcendental nectar, where there are many gardens filled with blossoming transcendental flowers and fruits and unlimited wonderful trees and vines, where there are numberless transcendental deers and other animals who move here and there, and where there are many beautiful transcendental groves.

19 Whose heart would not be enchanted by ISKCON where Sri Radhika-Madanamohana enjoy many pastimes, where there are many trees and flowering vines, where the ground is paved with jewels, and where the birds, deer and other animals are all maddened with transcendental bliss?

So, there is that ISKCON, no? Srila Prabhupada is its Founder and Acharya and it is perfect in every way. Let us aspire to be eternal members of Srila Prabhupada’s eternal Sankirtan party.

There are some things, however, that we think should be changed in the earthly ISKCON. These are our opinions and our first opinion is that many of our opinions aren’t perfect. Look at the revision date to this article.

Mangala-arati song in Vrndavana, Krsna-Balarama Temple - We were sitting in Prabhupada’s Samadhi while the Mangala Arati was going on in the main Temple and Dhananjaya Das was there. He had been Temple President there in the association of Srila Prabhupada and had a dynamic relationship with Prabhupada. It seemed we had a similar opinion. The Temple Mangala-arati song was changed when the Samadhi for Srila Prabhupada was established and a separate Mangala-arati performed there. In our opinion the Gurvastakam, “Samsara davanala…”, should have been kept for the Main Temple and gone on just as it had when Srila Prabhupada was in his manifest presence. Then with the addition of Samadhi service another song should have been added, such as, “Oh he vaisnava thakura…” etc. Dhanjaya Das pointed out that the Temple song, “Vibhavari sesa…”, was an Arunadaya kirtan, a sunrise Bhajana, as the song itself directly says, and Mangala-arati is never done at sunrise.

GBC Lifelong Position – As far as we know there is only one letter where Srila Prabhupada says that the GBC position should be for life. See the article on Epistemology, Letters from Srila Prabhupada. Prabhupada may have said “Why change GBC position each year? They can serve for as long as they have life” and the secretary wrote “for life”. In one place Srila Prabhupada says that the life in this body is finished at 50-years old, maybe you can push it to fifty-five. So our opinion is that GBC Secretary should usually be no older than 50-years. Then younger, more energetic man can move in and the retired devotee can then be source of good advice as a Sannyasi or Vanaprastha.

Nrsmha-pranams in Spanish countries is sung, “Prahlada ahlada da dayine”. There is no second, “da” before “dayine”.

Temple President post has been terrible minimized with exaggeration of diksa-guru and over centralization of power in GBC.

Sannyasis in ISKCON are the supreme spiritual authorities (see SB 1.17 near the end) and GBC is the ultimate managing authority. Sannyasis, Brahmanas, need to be honest and brave to have their important influence in ISKCON.

Vaisnavi is a term that we never hear Prabhupada use in the Prema-dhvani after the Aratis. In his books it usually means Maya-devi. If that is what you mean, “All glories to the assembled Maya-devis” then O.K. Other references are for the prostitute who tried to corrupt Hari-dasa Thakura and for Diti who tried to kill her sister’s babies. Prabhupada uses it for the wife of Siki-mahiti who was one of the most intimate associates of the Lord and for his sister also. We think it should not be emphasized because it puts a bodily stress on the Vaisnava like saying “Atmi”. I wonder why Jayapataka Swami uses it so much? We have had really transcendental experiences with him.

Peach colored cloth for B’caris - If you are not married don’t wear white. It lets everyone one know if you are a B’cari or a G’hasta. Then we have a clear culture in our dealings with the opposite sex etc and make it hard for The Witch to get us. If you are not following B’cari ashrama strictly then dress in civil clothes.

Funding Letter Draft 170810

<img height="137" src="file:///C:\Users\HHHANU~1\AppData\Local\Temp\msohtmlclip1\01\clip_image002.png" width="117" />NIOS

North American Institute for Oriental and Classical Studies

2129 Stratford Rd; Murfreesboro, TN 37129; USA

Esteemed Members, Directors, Officers,

XXX Foundation

We, NIOS, are looking for a partner in spirit for a substantial and potent project. Since our formation in 2004 we have been blessed to have realized such projects in co-operation with the National Museum of India, National Library of Peru, San Marcos University, Peru (the second oldest university in the Western Hemisphere) and many other excellent institutions.

Considering our strengths, weaknesses, finances and community, our next selected focus is a Symposium on Art and the Sacred, October 2018. The venue is already set, Centro Cultural Ricardo Palma, Lima, Peru. The exhibition halls guarantee 40,000 visitors, international tourists, a week. The center-piece would be an excellent movie, ART AND THE SACRED: A Pilgrim’s Progress.

One of our advisors, Prof. Hector Behar, one of the most prominent players in the history of human rights in South America, and currently member of the United Nation’s Committee on World Poverty (???), commented that the United Nation’s estimate is that 1-million people commit suicide each year. This is more than all the deaths in all the armed conflicts combined.

We can define the real enemy as our own minds, our lack of cultural assets. We propose a documentary that will systematically and dramatically interview profound scholars, art historians, poets, artists, Jungians, Jesuits, from Peru to New York, London, Madrid, Delhi and Kolkata that will demonstrate and communicate a practical pathway to a world culture of Art and the Sacred.

In the world there are enough resources for everyman’s needs, but not enough for one man’s greed – Mohandas Gandhi

We are asking for a budget of $125,000. Our Director will be a longtime co-worker, Oscar Natars Burger (Iber-Americano Association for Arts and Letters, Director of the Year 2017). Of course, the premier for the film will be Lima, Peru but already it has presentation sites in Chile, India, USA and will be aired for use by such agencies as the BBC, National Geographic et al.

Join us? Money, men, brains, heart?

We have already invested $2,000 in the concept development work. If you are seriously interested we can send more details. Partial funding for even specific aspects of the project would be greatly appreciated.

Prof. H. H. Robinson

(Hanumatpresaka Swami)

Resource Research Office

Namacharya Das asks:

 Is there difference between
 refugees and aspirants? In the online list there is
 "refugees" and here in this scan you write
 "aspirants".
*** HpS - AS Jayapataka Swami explained it to us, and it was set ups for/by him, you can be an Aspirant almost immediately. This was to give a sense of belonging to people who would otherwise be "initiated" by other Gaudiya Vaisnava groups outside of ISKCON before they were following any principles. Then you are a Refugee after six months of following everything. So, technically they are all Refugees. We don't do anything formally for Aspirants usually. When Prabhupada was manifest he wrote and the standard was that anyone who followed the principles and lived in the Temple for six months could take first initiation, but for second initation there had to be more care taken.

Edited into "pdp-csg.docx"

HpS-ASA [170809] – T1 says, “On hearing Sūta Gosvāmī speak thus…”. Thus we are continuing with Chapter 3, no? Suta G. finishes there with what we hear is a very essential phrase: yathādhītaṁ yathā-mati, now I shall try to make you hear the very same thing as I learned it from him and as I have realized it, or as we heard H. H. Hrdayananda Goswami say, “I shall now try to make you understand it as I understood it”.

T1-13 Saunaka R. wants to know the Preface, why Vyasa and Suka learned and wrote the SB? He describes the circumstances and personal qualifications at its creation in detail. This leads us to the question, “Why should we want to hear and teach SB? What are our circumstances and personal qualifications in terms of answering this question?”

HK/HR

Exchanging text-messages with Anantarupa Das and Radhika-ramana Das about our daily SB reading. They say they just started Canto One, Chapter Four, "Vyasa Meets Narada Muni"; and just finished SB 6.9, "Appearance of Vrtasura". I think they read First Canto when there are new guests and then Sixth when it is just themselves.

We mentioned that we have notes at www.jayarama.us/archives/pdp-csg.docx. We looked at them and of course we can improve them.

Looked in our computer archives and could not find any Bhakti-vaibhava CSG for Canto Six. We will ask Srivasa pandita Das for them.

Śrīmad-Bhāgavatam (1.5.11):

tad-vāg-visargo janatāgha-viplavo
yasmin prati-ślokam abaddhavaty api
nāmāny anantasya yaśo ’ṅkitāni yac
chṛṇvanti gāyanti gṛṇanti sādhavaḥ

“On the other hand, that literature which is full of descriptions of the transcendental glories of the name, fame, form and pastimes of the unlimited Supreme Lord is a transcendental creation meant for bringing about a revolution in the impious life of a misdirected civilization. Such transcendental literature, even though irregularly composed, is heard, sung and accepted by purified men who are thoroughly honest.”

Any purified men who are thoroughly honest in Boise?  If there are then they will start coming to these classes, no?

Hare!    Hare!!!      KRSNA...

Estimado Oscar Natars, Integro,

Can you please send us a concise Bio-data to use in the Grant Application eg. Oscar Natars born 1872, Paris, France, Studied Cinema at Le Tre Ecole, Produce over 67,000 movies and stage shows, Director of the Year...

Some ideas of format:   A Don Quixote, picoresque movie. Pilgrim's Progress, In Search of the Divine.   Start with a Vedic perspective from The HpS of what is art and sacred.  Ramon's response to that [Peru, Hector, Chile, Raul Zurita]. Go to London for Shonu Shyama Dasani and the Philemon Foundation (Carl Jung) [through New York with Beverly Zabriskii and the Metropolitan Museum of Art, New York Times]

INDIA - Kalyan-kumar Chakravarty [Director National Fine Arts Academy], Dr. Samaresh Bandyopadhyay [Greatest Living Indian Art Historian].

[[HpS]]  RAMON

[Beverley] SHONU SHYAMDASANI [[Spain]]

KALYAN KUMAR CAKRAVARTY [DSB]

What is the pathway to the Sacred?

What are your ideas?    Other people's ideas?

Include lots of little parallel threads and jokes.   Do it in modules that can be separated to stand alone as five minute clips.  Do it for 24 and 48 minute movie.