We have not been able to answer this letter because of our work shedule and because of our stupidity. Please send again following the protocol at www.JayaRama.US/kd/lte.htm HpS - ASA -0-0-0- No hemos podido responder esta carta por nuestra horario de trabajo y por nuestra estupidez. Por favor envíe nuevamente siguiendo el protocolo en www.JayaRama.US/kd/lte.htm HpS - ASA

Hare Krishna dear master Hanumatt Presaka. Todas las glorias a Srila Prabhupada Swami !!!

I am writing to you specifically. Would I have time, maybe? I have an ongoing thesis on ecology and arts. And I want to be able to have some questions in a very academic place, perhaps, and I speak very bad English. It's possible? ... I am doing some interviews with different people in this world. And, of course, I would like to know, your perception in a formal interview. It is somewhat complex to address this around here, but Jagad Guru told me that it is fine here. The questions have theoretical support.Is it possible by this means that I can answer them? there are thirteen questions with some theoretical support...I know it's difficult but I can do a first four for it ...and then more according to your answer.

1. ¿How is it possible to link ethics and aesthetics for the promotion of an ecological conscience through the different manifestations of art? He tenido alguna respuesta de esto en una clase en Santiago. Gracias.
2. Pointin to Pythagoras, when he talks about the music of the spheres and an aesthetic canon of absolute beauty related to perfect harmony; ¿What do you think of music as an inseparable part of the arithmetic and harmony of nature?

----As for the criterion of modern architecture, we have the representative of the so-called «machine of inhabiting», Le Corbusier who; “I was dazzled by the then new machines: especially automobiles and airplanes, considering those that had practical and functional designs as a model for an architecture whose beauty was based on practicality and functionality; rationalism. But baroque architecture is distinguished because the buildings do not appear stable and inert, but full of movement. Thus in the baroque, everything acquires a dynamic rhythm, adjusting to aesthetic parameters based on musical movement and spatial illusion. ”----

1. ¿Do you consider that considering space in motion, as Baroque architecture does, would allow for an architecture that, by imitating the movement of nature and its aesthetics, is more respectful of it? Why?
2. Is it possible to recreate a space that allows a greater awareness of ecology and nature in humanity with architecture.

Thanks Guru Maharaja... My reverences.